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A Return From Black Hole

by Excepter

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about

A Six-Hour Continuous Performance
Recorded Live to Stereo
At Monkey Town
On a Dog Day’s Night in Brooklyn

from
8:00PM EDT Saturday, July 14, 2007
to
2:00AM EDT Sunday, July 15, 2007
at
58 N 3rd St Williamsburg, NY 11211

On that night Excepter was:

John Fell Ryan
Dan Hougland
Nathan Corbin
Jon Nicholson
Lala Harrison Ryan
Clare Amory

All music previously released as a very limited run MP3 CDR sometime 2008-2009. Edited portions of “Set 1 Part 1” and “Intermission” previously released on 2010 Excepter album “Presidence.”

Monkey Town was an experimental cinema / restaurant / performance space run by visionaire Montgomery Knott and very much part of that late 00s artist-friendly circuit of Williamsburg venues that included Glass Lands, West Nile, Zebulon, Spectacle Theater, Secret Project Robot, Death By Audio. Everything was a block or two from each other if not next door. The new developments looming above halted construction for a few years and Brooklyn bohemia enjoyed a swell of a renaissance.

The performance space at Monkey Town was a classic black-box cube of a room with a projection screen on each wall. The audience sat on cushions next to low tables around the band who played in the center. The band was to play two two-hour sets for two different audiences, who each were served a multi-course meal and psychedelic tea during the band’s performance. Excepter took the opportunity to continue playing during the 30-minute intermission between seatings and to play an impromptu 90-minute third set for those too late or too hip to get a reservation — resulting in the six-hour unbroken stream of music heard on this collection.

Excepter had already played a marathon show at Monkey Town the previous winter, publishing the resulting recording free on the Internet as STREAM 40, which at five hours plus in duration, was the longest single MP3 file in existence at the time, and though that distinction would be eclipsed within a year by other act, Excepter remained distinguished by not using digital post-production techniques like time-stretching, pitch-shifting, or looping to achieve extreme track lengths, but by thr real-time recording of a real-time performance. Not to say Excepter didn’t use time-stretching and looping live. Check Set 3, Parts 2 and 6 for the band’s Electrix Repeater in action, sample loops dialed-down to 0.0 bpm for maximum warpage.

A six hour set, though not unheard of in the DJ Booth, at a rave, or a serious avant garde classical concert hall, in the underground rock circuit Excepter ran in — seriously rare. Seriously rare in overground rock too — even the Grateful Dead tap themselves out after three and a half. To play a six hour set requires special arrangements. To play even an hour set, in New York, you gotta go first or last. At Monkey Town it was easy because it fit into their regular weekend schedule. Two dinner theater shows, a break in between, and an after-party is just a solid shift at a working restaurant. Excepter played on through like it was no big deal, because it wasn’t. Just a way of navigating New York City night life.

The audience at a six hour show can come and go. They get what they want from it. Maybe the band is just part of night’s journey into the city of the mind. Excepter cycles through familiar beats, shuffling a couple sequences back and forth, letting the echo box rock on. No crescendos. Just the occasional white out. Or drop out. The trance effect not only on the audience but the band. Listen in as Set 2 slowly shifts into Set 3, you’ll see what we mean. Dipping in and dipping out encouraged as the show is separated into numbered and titled tracks for easy re-entry. Leave the harsh bouncer scene for likes of Leonard Street.

The next marathon show Excepter would play was the following October at the old Silent Barn, capping off a long bill of Noise heavy hitters and the whole Noise crew too. Excepter did their whole beatnik thing, with occasional equipment malfunction, acting like rock stars and generally being dicks for hours and hours until the sun rose, leaving the building completely devoid of human attendance. This electro poetry stuff can go either way, but when you start in the witching hour, instead of ending in the witching hour, could there really be more than one way it could have gone?

All the more reason to be thankful for the survival of this recording, but if your need still more, there’s the presence of Clare Amory, our dear departed Clare, sometimes on the alien microphone, but most definitely on the drums and pummellings, triggering pads and shards of electricity skating off starboard bow. She’s out there somewhere. It’s OK. You can make your Return From Black Hole on your own time.

We’ll be here.

Excepter
2023

credits

released October 6, 2023

Excepter Records ER47

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Excepter New York, New York

EXCEPTER play the real synth folk blues.

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